Note: This episode addresses topics significantly sensitive in mild of this week’s school shooting in Texas. While Design Observer has never shied away from tough conversations, the editors acknowledge that this content material may be troublesome for some listeners. Content Warning: Violence, killing, and loss of life are discussed in this episode. It would be hard to find someone who wants to share area with a mosquito. Hence, the creation of the bug zapper. But as designers, how can we tackle what lives and what doesn’t? On this episode of The Futures Archive Lee Moreau and Sloan Leo go deep on how human-centered design doesn’t at all times replicate humanity. With further insights from David MacNeal, Juliano Morimoto, Spee Kosloff, Paula Antonelli, and Lindsay Garcia. There may be a need for people to exert their authority, however there can be a need for us to exert our love. The thing that I hope we hold area for is: This is all follow because it’s not going to be resolved, and it shouldn’t be.
That may create some sort of stagnancy. Life is definitely about holding house for dynamism, modifications and cycles. Lee Moreau is President of Other Tomorrows, a design and innovation consultancy based in Boston, and a Professor of Practice in Design at Northeastern University. Sloan Leo (they/he) is a Community Design theorist, educator, and practitioner. They're the founding father of FLOX Studio, a community design and technique studio. David MacNeal is a author and the writer of Bugged: The Insects Who Rule the World and the People Obsessive about Them. Dr. Juliano Morimoto is an entomologist and lecturer on the University of Aberdeen in Scotland. Spee Kosloff is an affiliate professor of psychology at California State University in Fresno and outdoor bug zapper co-author of "Killing Begets Killing: Evidence From a outdoor bug zapper-Killing Paradigm That Initial Killing Fuels Subsequent Killing". Paola Antonelli is an creator, architect, and the Senior Curator in the Department of Architecture and Design on the Museum of Modern Art, UV indoor bug zapper zapper in addition to MoMA’s founding director of Research and Development.
Lindsay Garcia is an artist, scholar, and an assistant dean at Brown University. Kathleen Fu created the illustrations for every episode. A big due to this season’s sponsor, Automattic. Hi, everybody, this is Lee. Every week is a bit totally different on this show. And this week, while we’re nonetheless talking about design, outdoor bug zapper we’re going to be talking about some pretty serious points. And so I would like to make sure that everyone who’s listening is conscious of that's in a very good place when they’re listening. And i encourage you to examine our show notes previous to listening to the episode so that you understand the context of what we’re speaking about and prepare ourselves a bit. Beyond that, I welcome you to the dialog and i hope you discover this conversation as powerful because it was for us. And that i thanks for listening. Welcome to The Futures Archive, a present about human centered design the place this season, we’ll take an object, search for the human at the center and keep asking questions.
… and I'm Sloan Leo. On each episode we’re going to start with an object with power. Today the article is the bug zapper. We’ll look on the historical past of that object from our perspective, as designers who’ve achieved work in human centered design. Not just the way it seems and feels and sounds and smells, but in addition the relationship between that object and the folks it was designed for… … and with different humans too. The Futures Archive is delivered to you by the design team at Automattic. Later on, we’ll hear from Vanessa Riley Thurman, a member of Automattic’s Designer Experience Team. Sloan Leo, it’s fantastic to see you again. Thanks for becoming a member of us. Lee, it's a thrill to be right here. So I’m wondering-for this specific episode, I’m questioning if you would tell me a bit bit about your historical past as a baby with bugs and insects. Where you this type of like, like kid that like cherished the creepy crawly stuff?